Hamsa

 

Hamsa

 

Hamsa, magical one,

 

Mystic bird,

 

Eyes of gold fire,

 

You rode upon the wave,

 

The cosmic courses

 

Of ancient, shining times;

 

You walked amid the owl-sung light

 

Of the fairy tree,

 

By the tall, moon-shifting

 

Hill,

 

You saw the walls of shimmering stone –

 

The sacred lamp-lit cave,

 

Where the ancient, bent ones still

 

Lingered ever on,

 

Their gods too old to be remembered,

 

Times of other worlds and climes,

 

When the air sang in a haze

 

Of sparkle flown

 

Like dragonfly wings that whirred,

 

Translucent.

 

You recall the bright winters of yore,

 

So long before

 

The ashen day when

 

The armies of the stalking skeleton

 

Broke onto the red field,

 

Sweeping all with their dire

 

Iron gaze,

 

Where now the star-cast

 

Bell that pealed

 

From the green mountain?

 

Hamsa, you are the swift-unfolding wings of light,

 

The tales softly-singing,

 

The warm face of the sun

 

Hamsa, where have you gone,

 

To what far, dawn-

 

Lit land?

 

And when will you return again,

 

Radiant, with fast,

 

White-

 

Maned horses,

 

Exultant,

 

As the rose of spring,

 

On the glad-rushing winds of eternity?

 

© 2014, Sharon St Joan

 

Photo: Marek Szczepanek / Wikimedia Commons / This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.  

Narayana – Beginning the cosmos

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Markandeya, one of the ancient sages, or rishis, was walking across vast expanses of the earth. Everywhere there was water, nothing but water, gray currents rushing over what had once been dry land. The sky was gray too, and there was no sun or moon, only the unending gray.

 

This was after mahaprayala, the great destruction, the time in between the time when the world was destroyed and the time when the new world would be created. Markandeya walked and walked and encountered nothing.

 

Then, he spotted a speck in the distance which he walked towards. The branch of a nagrodha tree was floating on the water. The nagrodha is the sacred banyan or fig tree, whose aerial roots grow downwards from the branches into the ground. On the floating tree branch, sitting on top of a curled up serpent was a child, a boy. Amazed, Markandeya asked the child, “Who are you?” The boy replied, “The waters have always been my home. I have called the waters “nara,” and my name is Narayana. I am the one who creates, preserves, and destroys the universe.”

 

In the very fascinating book, The Book of Vishnu, Dr. Nanditha Krishna retells this story, connecting it to other myths in other cultures.

 

In ancient Egypt, Horus was worshipped as the morning sun, Ra as the noonday sun, and Atum as the setting sun. With each new dawn, Horus-Ra was reborn from the waters and appeared seated on the petals of the lotus. With the close of the day, the lotus petals closed, enfolding the god Atum.

 

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The lotus is also central to the story of Narayanan. Seated on top of the lotus that grows from the navel of Narayanan is the God Brahma, who creates the world.

 

In the Babylonian story of creation, Enki, who is the god of the waters, lies sound asleep at the bottom of the ocean. The gods call to him, complaining about the lack of food on the earth, but he does not respond. Then his mother, Nammu, mother of all the gods, wakes him up and sends him off to begin the work of creation. Enki’s head is a snake and his tail is a fish.

 

The snake is also the couch on which the child Narayana lies, on top of the fig tree branch floating on the waters. The snake has seven, or maybe a thousand, heads and is worshipped by Hindus as the god Adi Shesha, meaning the one who remains. It is he who remains after the cosmos is destroyed.

 

The tail of the fish recalls the fish, Matsya, who was the first incarnation of Vishnu, and Vishnu is the same God as Narayana – Narayana being an aspect of Vishnu. Or, looked at from another perspective, it is Narayana who is Brahman, the supreme being – the one ultimate reality who is both beyond and within all the gods, all the ages, and the entire cosmos.

 

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These stories, like poems or metaphors, reveal visions of mystical reality. It is not that one story is true, and another is not. It can be helpful to regard the truths of all faiths and spiritual traditions as expressing views of reality. All are true in that they give insight through various windows to the truth that lies beyond.

 

In another, earlier, book, The Art and Iconography of Vishnu-Narayana, Dr. Nanditha Krishna examines extensively the derivation of the name Narayana and the possible history of this legend.

 

In the Tamil language, spoken in Tamil Nadu, the word tannir, which is tan (cool) plus nir (water) means cool water. In other Dravidian languages, spoken in south India, the word for water is nira, niru, or nir. But in Sanskrit, the language in which the early scriptures, the Vedas, were written, the words for water are apa or jala, which are completely different. Consequently, one might look to a Dravidian source for the origins of the story of Narayana on the waters.

 

Also in Tamil, the word ay means to lie down or to go to sleep, and the syllable an is a grammatical masculine ending; this gives the meaning for Narayana as “he lies down or sleeps on the waters.”

 

It would seem to make sense that the south of India, bordered on all sides by the ocean, might be the source of this evocative story of Narayana, who rises from the waters to re-create the world, after the mahapralaya, or great destruction.

 

To find these two of Dr. Nanditha’s books, along with several others of her books, click here.

 

For The Book of Vishnu, click here.

 

For The Art and Iconography of Vishnu-Narayana, click here.

 

Top photo: “This image is in the public domain because its copyright has expired. This applies to Australia, the European Union and those countries with a copyright term of life of the author plus 70 years.” / Wikimedia Commons / Collection of the Kalabhavan Banares Hindu University. / Eighteenth century Vaishnava painting decipting Vishnu, on the serpent Anant Shesha with consort Lakshmi, sage Markandeya paying his respects to Vishnu, while Brahma emerges in a lotus.

 

Second photo: “Scanned from The Complete Gods and Goddesses of Ancient Egypt by Richard H. Wilkinson, p. 117; artwork from the Book of the Dead of Anhai” / Wikimedia Commons / “This work is in the public domain in the United States, and those countries with a copyright term of life of the author plus 100 years or less.” /  “Nun, god of the waters of chaos, lifts the barque of the sun god Ra (represented by both the scarab and the sun disk) into the sky at the beginning of time.”

 

Third photo: Ramanarayanadatta astri / “This work is in the public domain in India because its term of copyright has expired.” / http://commons.wikimedia.org/wiki/File:The_fish_avatara_of_Vishnu_saves_Manu_during_the_great_deluge.jpg / “Matsya pulls a boat carrying Manu and Saptarishi [the seven rishis] during Pralaya.”

 

© 2014, Sharon St Joan

The book, The Vedas

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The view from the Pamban Bridge to Rameshwaram.

Like Adi Shankar himself, Sri Chandrasekharendra Saraswathi spent many years walking the length and breadth of India. At the age of 84, he walked 3 kilometers across the railway bridge to the island of Rameshwaram, one of the great pilgrimage sites in the south. There was no walkway at the time, just the train tracks, and this walk was remarkable, not because it was three kilometers, but because he was stepping on the railway ties with the waters of the Bay of Bengal swirling below through the open spaces between his footsteps.

 

The Vedas is a book written by Sri Chandrasekharendra Saraswathi who was the Shankaracharya of Kanchi Kamakoti Peetham; this is one of the leading spiritual centers in India, set up in the town of Kanchipuram in Tamil Nadu, around 1300 years ago by the Hindu saint, Adi Shankara. The Shankaracharya, a post handed down through the centuries, is the spiritual head of the center.

 

Known as the Sage of Kanchi, Sri ChandrasekharendraSaraswathi, one of the great saints of modern India, was chosen and anointed in 1907 at the age of thirteen as the 68th Shankaracharya of the spiritual center, or matham.

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In addition to being a saint, he was, simply, a remarkable man. At the age of 100, shortly before his death, he was still actively teaching crowds who gathered around him.

He had a command of 17 languages, was a gifted musician, had a keen understanding of current world events, and, although not a political figure, he strongly supported the Indian independence movement. He greeted everyone, from heads of state to the poorest of Indians with caring and interest. Videos of him, which can be viewed on YouTube (see the link below) often show him with a charming, delightful smile. Kind and inclusive, he spoke of all religions as the various facets of Sanatana Dharma (Hinduism), saying “truth and non-violence are the cardinal principles of dharma for the entire human family.”

 

First published in 1988, the book The Vedas wasn’t written directly by Sri Chandrasekharendra Saraswathi, but is a compilation of the words he spoke on numerous occasions, written down by his disciples.

At the end of the book is a chart that folds out. It lists hundreds of sacred books of India. The first and original four are the Vedas: the Rig Veda, the oldest book in the world, then the Yajurveda, the Samaveda, and the Artharvaveda. All are several thousand years old; they are the most sacred texts of Hinduism. Even today, they are memorized in the original Sanskrit by Brahmin priests, who chant the Vedas during rituals and temple celebrations.

The Vedas have attached to them Upanishads and also Aranyakas, which means “books of the forest.”

In the first chapter, Sri Chandrasekharendra Saraswathi explains that the Vedas have no beginning.

In the fifth chapter, he asserts that they have no end. They are timeless. Only a very small portion of the true Vedas, which exist on another level, were given to the rishis, to record. The Vedas were composed by these ancient seers, or rishis. About half of them were women. Their names are still known today. Then, after being passed down through many generations as oral teachings, they were eventually written down in their current form.

1024px-Vishnu_Yagna_Kunda:Narasipur, Mysore, KarnatakaGunjanarasimhaswamy Temple

Explaining the Vedic view of the world’s creation, he says:

The breath of the Paramaatma, the Supreme Being, or Brahman, inspired Brahma, God the Creator, to create the universe. After every deluge, or ending of the universe, a new Brahma, appears who creates the new world. He creates the world from the vibrations or the sound of the breath of the Paramaatma. (This reminds one of the concept in Christianity which is expressed in the beginning of the Book of John, “In the beginning was the Word, and the Word was with God, and the Word was God, and without Him was not anything made that was made.”)

The origin of the Vedas is the movement of vibration. With the chanting of this vibratory movement, creation came into being.

He says that we can see that when plants are exposed to certain sounds, they grow faster and are healthier. This is because sonic vibrations have the power of creation, preservation, and destruction.

The Sanskrit word tapas means austerity. It also means power of meditation. Brahma created the world with the power of his tapas. All the Vedas have their origin in the breath of Brahman, and Brahma has brought them forth with the help of resonances. They are beyond all limits and have no beginning and no end.

It is a profound but simple book, written with great clarity.

Today it may seem that the world is like a ship that has no anchor, buffeted by the waves in a storm. We need only watch the news to observe this, as violence and impending disasters take over our television screens.

512px-River_Ganga_meandering_through_the_Shivalik_ranges,_Rishikesh

And yet, in the wisdom of the East, there lies a deeper perspective. Ages have come and ages have gone. There may be times of light and awareness, and there may be times of gloom and obscurity. There is an ultimate peace beyond the worlds and the ages to which all returns in the end. The Vedas, the sacred books that arise from the breath of Brahman, remind us of this peace – especially when they are seen through the eyes of this holy man with steady, clear vision.

Top photo: Sharon St Joan / View from the Pamban Bridge, the bridge to Rameshwaram

 

Second photo: Public Domain / Photo of a painting by Raja Ravi Varma / Adi Shankar

 

Third photo: Nvvchar / Wikimedia Commons / “This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license”. / Gunjanarasimhaswamy Temple, Narasipur, Mysore, Karnataka

 

Fourth photo: Sanjay_Kumar / Wikimedia Commons / “This file is licensed under the Creative Commons Attribution 2.0 Generic license.” / River Ganga meandering through the Shivalik ranges, Rishikesh.

To find The Vedas on Amazon, click here

 

To find videos of Sri ChandrasekharendraSaraswathi’s life, click here

These are real-life views of his life, except for a few scenes of his childhood which are reenacted.

© 2014

 

The forests of the Ramayana

800px-Ficus_religiosa_Bo

In the great Indian epic, the Ramayana, when Laksmana, the brother of the hero Rama is lying unconscious on the battlefield and all seems lost, their loyal friend, the divine monkey, Hanuman, flies through the air all the way from Sri Lanka to the Himalayas to bring life-saving herbs back to the herbal doctor who can use them to heal Laksmana. In fact, it turns out that Hanuman has to bring back the entire mountain on which the herbs are growing because when he arrives in the Himalayas, he realizes that he doesn’t know the difference between one herbal plant and the next, so he can’t just pick out the right ones. All ends well, fortunately, and when Hanuman returns to Sri Lanka, the herbal doctor is able to use the right herbs from the transported mountain to revive Laksmana from the brink of death and restore him to good health once again.

The world of plants

The world of plants is central to the Ramayana, and though this long poem of several books was written thousands of years ago, the trees and plants depicted in this amazing epic, are geographically accurate, and even today, the plants that are described are found growing in the exact locations all over India where Valmiki, author of the Ramayana, has placed them. It is all geographically and botanically correct.

Mr. M. Amerthalingam, botanist with the C.P.R. Environmental Education Centre, Chennai, presented the paper, “Plant Diversity in the Valmiki Ramayana” at the February 2013 Conference on The Ramayana in Literature, Society, and the Arts. The proceedings have recently been published.

He highlights the extraordinary range of the plant life of India at the time and notes the precise descriptions each of the 182 different plants mentioned in the Ramayana.

The Ramayana as historical reality

Fewer and fewer people these days see the Ramayana, one of the two great epics of India, as a work of mythology or fiction. Indeed, it has never been viewed as anything other than history in India. Only western scholars have had difficulty accepting the basic historical reality of Rama, Sita, and the events of their lives. It is true enough that there are poetic aspects to the story – and whether or not Hanuman really flew through the air or not may be questionable, but that Rama and Sita did really live and that the major events of their lives are true is accepted as fact.

The dates when they lived are the subject of much scholarly speculation, but possibly they lived around 3,000 BCE, or maybe earlier, or maybe later.

Mr. Amerthalingam has compiled a list of all the plants described in the Ramayana. In his travels to rescue his wife Sita, who had been abducted, the hero Rama traveled from Ayodhya in the north of India to Lanka (Sri Lanka) in the south. On his way, Rama journeyed through numerous forests, each was unique, and remarkably, each account is true to the actual plant life which is native to that forest.

640px-Neem_(Azadirachta_indica)_in_Hyderabad_W_IMG_6976

In the beginning of the epic, in Chitrakoot forest where Rama and Sita spent time in exile, there were many beautiful flowering trees; mango and jackfruit; there were neem and bamboo, and a host of other trees, all of which are found in that area today and which are described very precisely.

In the Dandakaranya forest, there were tall trees and trees bearing fruit.

The Panchavati forest, from where Sita was abducted, lies on the banks of the River Godavari.

In Sri Lanka, there were evergreen forests – these are not the kind of evergreens one might think of in the west, like spruce, pine, and fir trees – they were the evergreens in India and Sri Lanka which remained green year round, like the ashoka tree, a rain forest tree with lovely red flowers.

In what is today the Bellary district of the state of Karnataka, Rama met Hanuman and Sugriva, two leaders of the monkey people who, throughout the epic poem, provided invaluable assistance to Rama in his search for the lost Sita. Without Hanuman’s help, it is hard to see how Rama could have rescued Sita.

They spent some time there in the forest, near the Pampa sarovar (lake) among a great wealth of trees and plants – both moist and dry deciduous plants. There were rose-apples, banyan trees, jackfruit, peepal, and mango trees, sandalwood, ashoka, and kadamba. There were lotuses, lilies, wild cherries, and jasmine, and around thirty more species, all mentioned by name.

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Medicinal herbs in the Ramayana

In the story mentioned above, during a huge battle that took place between the forces of Rama and the demon king Ravana, when Rama’s brother, Lakshmana, was lying unconscious on the battlefield, the doctor Sushena asked Hanuman to fly to the Himalayas. Hanuman set off, flying through the air over the snow-covered terrain until he reached the Dronagiri Mountain. After Hanuman had picked up the entire mountain and flown back with it, Sushena was able to identify the four herbs that were required; Mrita sanjeevani (which brings the dead back to life), Vishalyakarani (which cures all wounds caused by weapons), Suvarnakarani which restores the body), and Sandhani (which joins severed limbs and fractured bones). Thanks to the herbal knowledge of Sushena and the strength and heroism of Hanuman, Lakshmana sprang back to life and was ready to fight again.

The entire Ramayana is filled with beautiful and very accurate accounts of plants. On the island of Lanka, it was forbidden to cut down trees. Although the demon king Ravana was a criminal, guilty of abducting Sita, he did always show a sincere appreciation for trees. In his country, planting trees was considered a very praiseworthy activity. It was believed that a wood cutter and his family would suffer death and destruction as a karmic consequence of harming trees. Trees were worshipped in Lanka and throughout India, as they still are today.

It is clear from the detailed and abundant descriptions of the 182 plants that the Ramayana could only have been written in India, and that the author, Valmiki, was writing botanically correct information. He was also absolutely familiar with the medical uses of the plants.

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Listening to the natural world

Keenly aware of plants, Valmiki knew them exceptionally well. Today so many of us are unaware of plants; we brush them aside into the background, not listening to what they have to say and unaware of the souls of the living world around us. Only by once again revering the world of trees and plants can we reawaken our consciousness to the natural world, so that the earth may be restored and renewed.

Thanks to Mr. M. Amerthalingam for his amazing knowledge of these trees and plants and for bringing them to life for us.

The Proceedings of the Conference on The Ramayana in Literature, Society, and the Arts, February 1-2, 2013 has been published by C.P.R. Publications, C.P.R. Institute of Indological Research Chennai. To visit their website, click here.

To find the book, Sacred Plants of India by Nanditha Krishna and M. Amerthalingam, on Amazon, click here.

Top photo: Photographer: Eric Guinther / permission: GNU / Wikimedia Commons / “Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2…” / Leaves of the peepal tree.

Second photo: Photographer: J.M. Garg / Wikimedia Commons / “This file is licensed under the Creative Commons Attribution 3.0 Unported license.” / Leaves of the neem tree.

Third photo: Author: ProjectManhattan / Wikimedia Commons / “This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.” / The jackfruit tree.

Fourth photo: Original uploader was Indiancorrector at en.wikipedia / Wikimedia Commons / “This work has been released into the public domain by its author, Indiancorrector at the wikipedia project. This applies worldwide.” / Kishkindha, the kingdom of the monkey people in the Ramayana, view from atop Aanjaneya Parvat, near Hampi, in Karnataka.

© 2014, Sharon St Joan

The real meaning of Bakr Eid

© Tsiumpa  dreamstime_xs_21595354

 

His family was fond of animals, and they always had dogs and cats, Faizan Jaleel recalls of his childhood, growing up in Rampur, Uttar Pradesh, around 150 miles (200 kilometers) to the west of Delhi.

 

Then, for six years, Faizan Jaleel, worked with the dairy industry. In the beginning, his aims were idealistic. He was striving to help poor farmers to increase the productivity of their animals, so that they and their families could have a better quality of life. However, the more time he spent in this work, the more he became aware of the cruelty to animals that was involved in the dairy industry. A devout Moslem, he felt that surely this was not what God wanted him to do. Finally he quit, he stopped drinking milk and became a vegan. He lives in Ghaziabad (Delhi NCR), with his cat and four rescued street dogs.

 

Working with the Brooke, a charity devoted to helping equines throughout the world, he is the Program Development Manager for 12 Brooke Centres in India.

 

As a dedicated animal advocate, Faizan Jaleel spends much of his time encouraging his fellow Moslems to take a deeper look at the inhumane practice of animal sacrifice.

 

His message is that many Moslems have misunderstood the teachings of Islam; Allah, revered as “the Merciful and Compassionate” is opposed to cruelty to animals. There is no requirement for animal sacrifice in Islam.

 

Bakr Eid and Ibrahims sacrifice

 

On October 5 and 6, 2014, Moslems around the world will celebrate Bakr Eid. This holiday commemorates the offering by Ibrahim of his son Ishmail to Allah.

 

In the Koran, it is stated that a miracle took place, and just as Ibrahim was killing his own son as a sacrifice to God, the boy Ishmael was transformed into a ram. Ibrahim had not killed his son, but had killed a ram instead. Mr. Jaleel says that this is spoken of in the Koran, therefore it is not a myth; it was a real event. However, it has been taken out of its historical context and has been misunderstood.

 

The story of Ibrahim sacrificing the ram is used today by many Moslems as a justification for animal sacrifice on the holiday of Bakr Eid.

 

Faizan explains that people in those days used to live in the deserts of the Middle East, where there is very little vegetation. It wasn’t possible to grow vegetables in the desert sands or to be a vegetarian; if they wished to survive they had to eat meat.

 

In those days in that region of the world, killing animals for food was a necessity that could not be avoided. The animal that Ibrahim killed was used for food. However, this is no longer the situation today.

 

The essential truth to be gained from this story is that Allah does require a sacrifice – but not that he requires that an animal be killed, which is no longer appropriate.

 

640px-07._Camel_Profile,_near_Silverton,_NSW,_07.07.2007

 

What kind of sacrifice?

 

The meaning of the sacrifice to Allah is not that it should be an animal, but rather that the sacrifice should be something that is very dear to the person – just as Ibrahim’s son was very dear to him. “The idea is to sacrifice the most beloved thing – that is the real purpose of the sacrifice. The sacrifice must be close to our heart.”

 

He explains that, these days, a sacrificial animal is not at all dear to the person who is performing the sacrifice. Either a person buys the animal the day before, or more likely, simply pays for an animal to be sacrificed in his name. This isn’t a real sacrifice at all. These people don’t care for the life of that animal, so it is meaningless. It is a cruel and inhumane act, which causes suffering, and it is not a real sacrifice, so it makes no sense.

 

Slaughter of animals for Bakr Eid is widespread throughout the world, including throughout India. In Chennai, in Tamil Nadu, it has recently be made illegal to slaughter animals in the street. They can be slaughtered only in a licensed slaughterhouse, which will greatly curtail the numbers that are slaughtered for Bakr Eid.

 

In Andhra Pradesh, many camels are still slaughtered as part of this celebration. In Delhi, where Mr. Jaleel lives, it is generally goats and buffaloes that are killed, not camels, and this is legal only in licensed slaughterhouses. It seldom happens in the streets. Though occasionally, in ghettoes where there is a majority Moslem population, it may occur.

 

Speaking out

 

Mr. Jaleel says that there are many Moslems who find this practice of animal sacrifice repugnant. Often they do not participate, but he calls on them to do much more than that. They must speak out against this inhumane custom to their friends and families.

 

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He makes the point that animal sacrifice is not only done by Moslems; it takes place in other religions too, and one must oppose all animal sacrifice, not just that practiced by Moslems.

 

And so what is the best way for Moslems to observe Bakr Eid? Mr. Jaleel suggests that each person offer something that is important or that has value. Often, this may be money or resources. One may give a donation to a charity, and this gift will be of real benefit to society. By helping human beings or animals, it will be a genuine, positive sacrifice.

 

Is he making headway with his message? He admits that the going is slow. The custom of animal sacrifice “has been ingrained for many generations, so the pace of change is very slow.” Sometimes it takes many discussions with a person before they begin to understand. More open and more educated Moslems are more amenable to change. It is a big issue that needs a strategic approach. He gets a lot of help from individuals who are working towards the same goal.

 

Patiently and faithfully, he keeps going with his mission of spreading the word that God is compassionate towards both people and animals – and that Moslems are called to give a meaningful sacrifice to God, from the heart — not a sacrifice that harms animals.

 

If youd be interested in volunteering to help with this outreach or if youd like to contact Faizan Jaleel, hed love to hear from you. He can be reached by email at faizanjaleel@icloud.com

 

To visit Faizan Jaleels blog, click here. http://faizanjaleel.wordpress.com/

 

Photos:

 

Top photo: © Tsiumpa / Dreamstime.com

 

Second photo: / author: Jjron / Wikimedia Commons /” This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license”. / Dromedary camel in outback Australia, near Silverton, NSW.

 

Third photo: Sharon St Joan / Columns of one of the oldest mosques in the world, at Kilakarai, Tamil Nadu, India.